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Mirac Atabey

Blog, disappointment guaranteed

How I Met My Kindred Spirit

miracatabey, April 6, 2024November 27, 2025

I have never felt the urge to meet my favorite filmmakers in person. Because I already know them through their films. I always aim to step into their worlds with my own films that reveal my existence and friendship through my work. Like planting seeds, we release our films into the universe, where they grow and build a cinematic habitat together. This is how I expect my cinematic evolution to continue.

However, when Nuri Bilge Ceylan, a significant figure in Turkish and World Cinema, showed up at the screening of my film, A Hero of Our Time (2023) at the Sinematek/Sinema Evi (which is a cinematheque in Istanbul), I encountered an experience beyond my usual expectations.

Reconnecting with an Old Friend

During the Q&A session after the screening, Mr. Ceylan surprised me with his incredibly positive feedback as he expressed his admiration for the film. To my delight, he suggested sitting down for a chat after the Q&A, which turned out to be a great experience (who knows, perhaps he was looking for a conflicted dialogue between the two artists for his screenplays; some food for thought). Anyway, our conversation about our stylistic preferences just flowed smoothly. Meeting him felt like reconnecting with an old friend. And, indeed, I openly told him that I did not need to meet him in person as I already felt like I knew him. He agreed with the idea but also noted that sometimes filmmakers’ personalities may not match the brilliance of their films. And then, he repeated his usual saying: We connect with our kindred spirits through our films.

nuri bilge ceylan
nuri bilge ceylan

You can watch the English-subtitled Q&A session here.

Besides that, here is what I came across just recently as a contrast: As if being broadly ignored by film festivals wasn’t enough, my film has been labeled as one of 2023’s Worst Turkish Films by the film critic and festival programmer, Kerem Akca. Just a note for future film historians.

Operations Reflections

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